About Michael Hedges
Michael Hedges (1953–1997) was an American acoustic guitarist and composer whose innovative approach to the instrument fundamentally redefined what was possible on an acoustic guitar. His 1981 album Breakfast in the Field introduced a new sonic vocabulary to the world — two-hand tapping, altered tunings, and percussive techniques that had never been combined in quite this way before.
Revolutionary Approach
Michael Hedges did not play guitar the way anyone else did. He hammered on notes from above the fretboard, creating piano-like voicings. He retuned guitars to open and experimental configurations for each piece. He used both hands on the fretboard simultaneously, freeing his right hand entirely from traditional picking patterns.
Playing Style
- Two-hand tapping — Pioneered the use of tapping as a primary, not supplementary, technique
- DADGAD and beyond — Used dozens of alternate tunings, sometimes inventing new ones per song
- Extended technique — Bowing, prepared guitar, and other experimental approaches
- Raga influences — His formal training in Indian music and composition showed in his harmonic choices
Notable Works
- Aerial Boundaries — Perhaps the most famous acoustic guitar solo piece of the 1980s
- Ragamuffin — A stunning demonstration of two-hand tapping in DADGAD
- Layover — A gentle, lyrical piece showing his melodic sensitivity
- The Funky Avocado — Showing his playful, experimental side
- All Along the Watchtower — His acoustic deconstruction of the Dylan classic
Tragic Loss
Hedges died in a car accident in 1997 at age 43, leaving behind a body of work that continues to inspire and mystify guitarists worldwide. His influence on Andy McKee, Don Ross, and countless others is immeasurable.