Skip to content
Fingerstyle.club
All Songs
AdvancedClassicalContemporary1968

Classical Gas

Mason Williams·arr. Tommy Emmanuel

Duration

225

Capo

Fret 2

Year

1968

Level

Advanced

TuningStandard
Standard
6
E
5
A
4
D
3
G
2
B
1
E
← Low (6th)High (1st) →

Chords Used

AmGCEDmF

About This Piece

Originally composed by Mason Williams in 1968, Classical Gas became an instant classic and has been covered by countless guitarists. Tommy Emmanuel's fingerstyle arrangement is considered one of the definitive versions, showcasing his incredible technique and musicality.

Performance Notes

Technical Challenges

  1. Fast Arpeggios: Requires excellent right-hand coordination
  2. Chord Changes: Quick position shifts up and down the neck
  3. Dynamics: Wide dynamic range from soft passages to powerful climaxes
  4. Stamina: Maintaining energy throughout the 3:45 duration

Key Sections

Introduction (0:00-0:30) Opens with the iconic riff that establishes the rhythmic drive. Use strict alternate picking for clarity.

Main Theme (0:30-1:30) The memorable melody that made the song famous. Focus on bringing out the melody notes above the accompaniment.

Bridge (1:30-2:15) More contemplative section with harmonics and softer dynamics. Let the harmonics ring clearly.

Finale (2:15-3:45) Returns to the main theme with increased intensity. Build towards the powerful ending.

Learning Approach

Week 1-2: Breaking It Down

  • Learn each section slowly
  • Master the right-hand patterns
  • Work on left-hand position shifts

Week 3-4: Connecting Sections

  • Practice transitions between sections
  • Work up to tempo gradually
  • Focus on maintaining steady rhythm

Week 5-6: Performance Polish

  • Add dynamics and expression
  • Practice performance run-throughs
  • Record yourself to identify weak spots

Tips for Success

  • Use a metronome: Essential for the fast passages
  • Chunk practice: Master small sections before combining
  • Right-hand economy: Minimize unnecessary movements
  • Rest: This piece is demanding; don't overtrain

Performance Context

Tommy Emmanuel often performs this as an encore piece, sometimes adding his own improvisational flourishes. The arrangement requires the guitar to sound like multiple instruments, using bass lines, chords, and melody simultaneously.